The labyrinth ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ 
Mione Plant

Art Letters

August 17, 2023

Inspired by a babymoon I took in 2015, I try to take a vacation each year. Alone.

No cell phone, responsibilities or expectations. Eagerness to meet myself, again. Anew. I allow myself the freedom of no schedule, to engage daily where my internal compass takes me.

Most recently, it led me here. The labyrinth.

A winding path of rocks, sand and stone, designed to be walked slowly, quietly and mindfully.

As I entered the labyrinth, I easily spotted the destination. The goal straight ahead. Until my foot bumped into the rocks, and I was guided in a different direction.

Soon I noticed I was moving further and further away from the center. I wondered if the path had been damaged, or if I had taken a mistep. If I’m supposed to get there, why am I so far out here?

The path of the labyrinth

Challenges, often a pendulum that swing me out far from where I want to go. Anytime anger makes its presence known, or jealousy, or fear, or pain, or insecurity, or tendencies to isolate and withdraw; a temporary safety in their protection, but clear they’re not for keeping.

The pain at the perimeter is purposeful though. A nudge to listen for who’s asking for attention. My inner child, or a younger version of myself. Their experiences not yet resolved, not yet attended to. Their needs covered by aging versions of myself. But their layers, like rings of a tree, are the foundation.

The child that tried to be perfect and pleasing to help manage other’s emotions; the girl who wanted to fit in in a small southern town despite being a first-generation American; the young woman that made herself and her dreams small even though she wanted to take up space.

The labyrinth’s perimeter, although far from center, offered an all-encompassing vantage point. Calming my doubts of the path, of my sel(f)ves, I continued walking with trust I'd connect with the center at the right time. With the woman, the person, the essence that is the mother to her child self, and her own unconditional source of love and worth.

Upon arriving I relished it’s comforting cocoon. Held, within.

Later turning to leave, I realized there was no direct exit. The path I just traversed, I must walk again.

Anew.

The way out, is in.

 

After creating the circular canvas, I divided it into four quadrants to symbolize the cardinal directions of a compass. Within each, the three circular layers get increasingly lighter the closer to center.

The rays point, nudge, propel towards the center.

Marking the lanes of the path

To help me better visualize the path, I first mapped it out with painters tape

Initial path paint marks

Ready to roll

 

LIKE A TRUE NATURE’S CHILD
48 x 48 Mixed Media on Wood Panel, Coated in Resin
mioneplant.com

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Mione Plant, 7853 La Cosa Dr, Dallas, United States

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