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Mione Plant

Art Letters

November 15, 2023

Thanks for the artful nudge last night, LH. It felt synchronous that our paths crossed. You’re the person I needed to see and connect with. And now I get to sit here, and attempt to share with you and other souls like you, in a new way. To share not from a place of need, or fear, or seeking something in return, but just the joy of sharing creations.

I recently taught at our local elementary, and encouraged the students to make art for themselves, and to share their work not from a place of needing others to like it in order for they themselves to like it, but from a place of…

I hope to share with you in a new way. I’m saying it out loud to hold myself accountable, to remember. That the point of making art isn’t so I can be or feel valuable or worthy, but that I get to make art as an expression of the value and worth that’s already inherent in me. That I don’t need to share art in order to gain likes and acceptance, but that engaging in the process (not the product) of creating helps me hear my own acceptance. I wish to share with you knowing I am already loved, because I finally choose to love myself. Not just when I’m creating, but because I was created.

 

I’ve spent the last couple months beginning anew in the studio. I finally set out to build my dream workspace, starting with a new workbench.

(building this workbench was as challenging and engaging as creating a painting; I’m realizing anything I create might actually be one in the same, regardless of if it can be productized or monetized)

I wanted the table to be as big as possible, so it wouldn’t limit the size of what I could create.

Given that, it’s delightfully amusing that the first project I decided to create on this table, are these two miniature paintings.

Deciding to work small forced me to remove notions of efficiency, ROI, and all the delightful capitalistic pressures we put on ourselves before we even get started exploring our curiosities. Instead I gave each piece the same amount a time I would a large work. Slow, steady, sustainable.

What started as two perpendicular lines, resulted in something with flow and movement. There may be some fixed parameters for each of us - but what do we create given that, even with that, despite that, because of that, emboldened by that?

I’ve been hesitant to say it directly here, so I usually walk around it in my letters. In person, one on one, I’m not afraid to talk about it, but haven’t felt able yet in this format. I would like to say it now, here. I am a survivor of abuse. My work these past years has largely been informed by understanding and processing this. Of exploring safety, trusting, belonging, prioritization and worthiness.

Inside the yellow box, the lines are straight. A fixed parameter. Beyond is everything else that I can choose to see and be, all the ways I can move. Fixed and flowing. Bending and boundaries. Order and opportunity.

Fine lines and dandelions.

One of our greatest freedoms is choosing how we respond.

To me, that sounds fine and dandy.

 

FINE & DANDY
12x12 Acrylic on Wood Panel
The Miller Gallery

 

It’s an honor to share with you, thank you.

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Mione Plant, 7853 La Cosa Dr, Dallas, United States

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